Ilive t112

Ilive t112

Looking for a used, new, second-hand or ex-hire iLive - T? We may be able to help. Click here to see if we can help you find it. The Surface is simply a controller for the MixRack. It also has an audio rack built into it to conveniently provide local inputs and outputs at the mix position. We've built a lot of mixers in the last 35 years or so overat the last count and we still get a huge buzz out of doing it well. It's an unbeatable feeling to know that at any time of day or night, right across the globe, there is an Newsletter Sign Up Sell About. Login Register Contact Us. Can't Find It? We can Featured Deals Our Best Deals. Can't Find it? We can source it for you. Studiolive Allen and Heath Solaris. Allen and Heath Buy Allen and Heath We've built a lot of mixers in the last 35 years or so overat the last count and we still get a huge buzz out of doing it well. Digital Mixing Consoles. Allen and Heath. All iLive - T All M7CL All PM1D. All CL3. Full Venue Profile System. All Venue Profile. SI Expression 1. All SD5.

Allen and heath

Ilive t112
Previously used on various corporate events. Cleaned and maintained by in house technicians. The Surface is simply a controller for the MixRack. It also has an audio rack built into it to conveniently provide local inputs and outputs at the mix position. We've built a lot of mixers in the last 35 years or so overat the last count and we still get a huge buzz out of doing it well. It's an unbeatable feeling to know that at any time of day or night, right across the globe, there is an It features a large analogue style, one control per function processing BLOCKTouchScreen, name and colour virtual write-on strip, banks of motorised faders with independent layers, SoftKeys, built-in headphones, local monitor and talkback. Audio mixers, or sound consoles, are electronic sound mixing boards used to combine two or more audio signals, before directing them to the output channels connected to the device. Sound consoles do a great deal more than just combining different audio signals they allow users to optimize the sound output in a number of ways adjusting various sound levels, enhancing sound with special effects and equalization etc, allowing for unmatched control over the end product. Previously used in rentals. Fixed format. In like new condition. From Comes with a 15 day warranty. Newsletter Sign Up Sell About. Login Register Contact Us. Can't Find It? We can Featured Deals Our Best Deals. Can't Find it? We can source it for you. Studiolive Allen and Heath Solaris. Allen and Heath Buy Allen and Heath We've built a lot of mixers in the last 35 years or so overat the last count and we still get a huge buzz out of doing it well. Allen and Heath We've built a lot of mixers in the last 35 years or so overat the last count and we still get a huge buzz out of doing it well. Used Digital Mixing Consoles Audio mixers, or sound consoles, are electronic sound mixing boards used to combine two or more audio signals, before directing them to the output channels connected to the device. Allen and Heath. All iLive - T All M7CL All PM1D.

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The iLive digital mixing console system combines a powerful digital mix engine with the hands-on, familiar feel of a live console, and the amount of control and peripheral options is incredible. You get 72 sources to the mix including 48 mics on stage, 16 local line inputs at the surface and 8 stereo internal FX returns. The ACE digital snake replaces the traditional heavy copper multi-core that would be needed with a conventional console. This single CAT5 cable provides the network link for the surface to control the rack and also transports local audio to and from the mix position. Control Surface The T Series surfaces feature the same intuitive layout that has delighted iLive users around the world. Its instantly accessible analog-style rotary controls and switches, visually informative channel labeling and color coding, comprehensive metering, graphical color touchscreen, and logical layout allows the user to avoid fiddly menus and instinctively find controls. The jump from analog to digital has never been so easy. Mixrack and Mix Engine iLive-T puts the audio and its processing right where it is needed, near to the sources on stage. The MixRack houses the mic preamps, sends, DSP and digital snake interface, which is controlled at the mix position. Both MixRacks feature the same iDR RackExtra DSP engine employed in the flagship iLive Series, providing full processing and mixing for 64 channels and 32 configurable mix buses as well as 8 stereo FX engines based on emulations of popular industry classics. Imagine the gear needed for an equivalent analog system to provide 64 gates and de-essers, 96 compressors and limiters, fully parametric EQs, 96 delays, 32 graphic EQs and 8 FX units! Mic Inputs The MixRacks differ only in the number of input and output sockets available. Built-in patchbays enable the user to split, cross-patch and map channels and sends, requiring fewer sockets than equivalent fixed architecture consoles in many applications. In addition, every processor features a SEL button for parameter copy and reset, or for headphone monitoring of any point in the channel signal path including the side-chain filters. Skip to content. Facebook Instagram Mail. Phone No.

Allen and heath ilive

Update your browser to view this website correctly. Update my browser now. Remember the heyday of analog consoles? Of course you do. How can you forget that your front-of-house FOH rig required a dozen stagehands and a forklift at load-in? And, with the iLive digital mixing console series, the company has fully entered the pro-grade digital live console arena. The iLive Series can be most accurately described as comprehensive in size and scope. You can mix and match any control surface with any MixRack or combination of MixRacks. The T control surface is approximately 42 inches wide, 25 inches deep and 11 inches tall, weighing in at a modest 60 lbs. Its surface is scratch-resistant, black, textured steel. The main portion of the control surface is taken up by the faders and channel strips, arranged in clusters of four, with the first bank containing three clusters of four, and second and third banks containing two clusters of four, for a total of 28 faders. When used in combination with the Assign switch, MIX routes the signal of that channel input strip to the actual various masters. The Alt view button can also be assigned to put the mic gains on the rotary encoders for quick level changes during soundcheck. Just above the fader and buttons, is the color-adjustable channel label, where you can enter the name of the channel, or use the convenient onboard list of names and color-coding. At the very top of each strip is an LED stack showing input level, post trim. The MixRack can be located at the console in a monitor application, or located on stage, conjoined to the FOH position by means of the Ethernet snake. Additional consoles and mix racks may be added to the system via an additional Ethernet connection provided on both the control surface rear panel and the front panel of the MixRack. If these are features that would interest you, I recommend that you also consider them in your purchase decision process. Probably the most important part of setting up a digital mixing system such as the iLive is creating audio pathways; assigning fader actions to inputs, groups, DCAs, masters and layers; and labeling names and colors of all the strips. This is all done through the Set Up mode via touch screen, with button differentiation of the MixRack versus the Control Surface. For our first time out with iLive, we decided to set the system in a somewhat conventional as well as generic layout, with the first 20 faders being inputs 1 through 20 on Layer 1 and 21 through 40 on Layer 2, with the various layers accessed on each bank of faders separately, with options up to four layers. On Layer 2, we had four sends for onboard effects and four effects returns. Layer 3 was reserved for eight monitor mix masters, and Layer 4 was set up for four stereo IEM mix masters. Before describing a blow-by-blow mix setup, it is important to note that the iLive is a very user-friendly digital console, allowing near-novices to walk up to the console and, with very basic knowledge, get to their mix duties immediately. The iLive comes with a basic template setup, pre-loaded in the memory. If you are a seasoned digital console engineer, it will satisfy your needs as well, allowing you to go very deep into parameters and operations of your mix and create your own setup. My son is their FOH engineer, so we took the iLive to a 2,seat venue, where setup was quick. The initial setup for a new engineer is very simple. At a certain point in setup, it is desirable to go to the main screen menu titled Scenes and touch the Store All choice, so as to back up your settings to the main drive. It will now show as pre in the faders LCD window. It is also possible to change selected inputs to either pre or post send. There are many more possible operations on the iLive — I would need far more space than this review allows — that further reveal the sheer user-friendliness of the functions with this system. Here are some of the functions that I particularly enjoyed. By depressing the Select key on any channel strip Input or Outputyou get a full complement of control, displayed in the entire upper half of the console, adjacent to the menu screen. The upper control channel area also hosts a very nice gate section, with threshold, release and side chain with internal frequency bandwidth. When accessing an output, you may Select into upper strip control as well, applying all of the available features to the composite signal of the selected master. When in this mode, you may access one of my personal favorite features of the iLive: its GEQ graphic equalizer. Pressing the GEQ key places all of the channel strip faders into graphic EQ mode and, at the same time, displays the frequency point of control in the LCD window. Since there are 28 faders, they display the spectrum from 63 Hz to 16 kHz.

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Ilive t112
How many monitor mixes are available on the SQ? Any other information for my consideration would be greatly appreciated considering I am migrating from the iLive-T…. It does become a trickier question to answer with digital consoles and especially compatibility with future computer operating systems which we also would need a crystal ball to know about! If your question is more about firmware updates, then there will always be a time when a system matures and there is a finite number of features that can be added. We always advise considering at the capabilities of a system today though, i. There is also an option card slot with currently available cards being Dante, Waves and a secondary SLink. But no, there is no direct support for the Aviom protocol. So these are two systems that you would be connecting and you would only be sharing audio between the two and no control messages. That is to say, with a Dante or Waves card, you could send and receive audio to and from each system, but the SQ would not be able to directly control the preamps in the iDR. So if you are not using groups, then you could have up to 12 stereo monitor mixes along with the main LR. Any other information for my consideration would be greatly appreciated considering I am migrating from the iLive-T… — SQ uses the latest technology for processing and mixing, and is built on a 96kHz XCVI core, with benefits to audio quality and latency as well as the ability to run DEEP add-ons from dLive. Previous to dLive, iLive was the flagship console, and there are a few features that are just not possible on the much more compact SQ very granular scene management and filters, built-in show storage, MIDI control mapping, fader banks and strip freeze. The Avantis would be a closer match in channel count, but of course the equivalent of the iLive would be a dLive. Please create an account to get started. Remember Me. Viewing 2 posts - 1 through 2 of 2 total. Jason Participant. Any other information for my consideration would be greatly appreciated considering I am migrating from the iLive-T… Thanks, Jason. Hope some of this is of use. You must be logged in to reply to this topic. Search our Forums Search for:. Share this Page.

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Allen and heath sq6 review

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We received 3 emails telling us equipment retrieval kits were on the way and we never received them. I called DirecTV and after waiting for an eternity, was told their policy had just changed and they no longer send out retrieval boxes. Instead you are to take all equipment to FedEx and they will know what to do with them. We went to FedEx and waited 40 minutes while the FedEx staff figured out how to go about entering each serial number into their system in the correct place in order to ship the equipment back. When I called to express our confusion over the matter of returning the equipment, the DirecTV person I spoke with (named Lucas) hung up on me. Now I'm trying to get a copy of our final bill. I have made 3 phone calls, the most recent one lasting 57 minutes just to be told that since we are set up to have the bills mailed U. We have been DirecTV customers for several years but never again. Helpful Be the first one to find this review helpful How do I know I can trust these reviews about DIRECTV. We require contact information to ensure our reviewers are real. We use intelligent software that helps us maintain the integrity of reviews. Our moderators read all reviews to verify quality and helpfulness. For more information about reviews on ConsumerAffairs. Jim of Chetek, WI Verified Reviewer Verified Buyer Original review: Dec. After numerous phone calls, I was told eventually that I owed nothing and was actually owed a small refund. Well, the bills kept coming and I kept calling. Now I'm told they have no record of anyone telling me that I owed nothing. I will pay their bill and hopefully I'll be rid of this company. It is no longer worth the hours I have to spend on the phone to try and rectify the problem. Avoid this company at all costs. Helpful 2 people found this review helpful greg of Noble, OK Verified Reviewer Original review: Dec. I was told all was fixed. Then when they came out to do the install everything was wrong. I have done away with them and I am now paying more with DISH but would rather pay more than to deal with DirecTV and all of their lies. Helpful 2 people found this review helpful Theresa of Toledo, OH Verified Reviewer Original review: Dec. Helpful 2 people found this review helpful Debbie of Frankfort, KY Verified Reviewer Original review: Dec. You start out at a decent rate for the first year. So you call about how high your bill is and they give you a break on your bill and even offer you HBO or one of what they call (premium channels). So they tell you to call back in a year to see what they can do for you. They tell you they can give you a lesser package for less money. I already have the second to lowest package they have. I am cancelling DIRECTV and would advise anyone not to get DIRECTV, because they do not stand by what they tell you. They want to stick it to you. Helpful 2 people found this review helpful mike of Belton, MO Verified Reviewer Original review: Dec. Calling to cancel service. They tell me it has been over 30 days and have to do the early termination. Working with them to waive that as the issue is not my fault and the excessive install attempts were no fault of the customer. This is the absolute worst customer service I have ever experienced with anyone. Allen \u0026 Heath GLD-80 Digital Mixer - Detailed Review

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